A book cover is any protective covering used to bind together the pages of a book. Beyond the familiar distinction between hardcovers and paperbacks, there are further alternatives and additions, such as dust jackets, ring-binding, and older forms such as the nineteenth-century "paper-boards" and the traditional types of hand-binding. The term "Bookcover" is often used for a book cover image in library management software. This article is concerned with modern mechanically produced covers.
on the cover of the book
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Not only were the new types of book-covers cheaper to produce, they were also printable, using multi-colour lithography, and later, halftone illustration processes. Techniques borrowed from the nineteenth-century poster-artists gradually infiltrated the book industry, as did the professional practice of graphic design. The book cover became more than just a protection for the pages, taking on the function of advertising, and communicating information about the text inside.
In the post-war era, book covers have become vitally important as the book industry has become commercially competitive. Covers now give detailed hints about the style, genre and subject of the book, while many push design to its limit in the hope of attracting sales attention.
This can differ from country to country because of other tastes of the markets. So translated books can also have different book-accessories such as toys belonging to children's books, for example Harry Potter.
Book cover design is comprised of text and images. In order to get the layout right, you need to think about the single message you want your cover design to communicate. What is the one feeling or idea you want to convey? Whatever message you decide to feature, make sure every element from color and image to typeface and text supports it.
Think like a reader, not as the author. Aim for clarity, not cleverness. Your title is the first (and sometimes the only) thing people read. Does it communicate what the book is about visually? Your goal is to use visual elements and design to show potential readers what the book is about and create a feeling in them that gives them a sense of what reading the book will be like.
Your front cover did its job if the shopper made it to the back cover; it got them interested enough to give the book a second look. Now it is the job of the back cover to draw them in so much that they feel compelled to buy the book.
The back cover of a paperback should also include a headshot, your bio and your credentials if the work is academic or professional. (This often goes on the interior book jacket flap for hardbacks.) Readers love to know more about the author, and details about who wrote the book can help the description seal the deal.
All physical books are either casebound (hardcover) or paperbound (softcover). Casebound books are sometimes issued with paper covers, which are typically called dust jackets or case wraps. Paperbound books are usually covered in printed heavy weight paper. All of these book cover types do the same things:
If the quotation is from a review of the work, you should ideally obtain the review and cite the publication in which it appeared in your works-cited list, but if you need to cite it from the book cover, your entry might read as follows:
The title of a book is usually the first thing that is read upon a cover, which is why it is important to ensure it can be read quickly and with ease. Use a font you feel visually conveys the story of your book. If you are struggling to choose a font for your title, why not check out our blog on top free fonts to use on a book cover design?
The back cover also needs to accommodate room for the barcode and ISBN (International Standard Book Number) as this is a requirement for publishing your book. This is usually placed inline with the back cover text in the bottom right corner.
Consider the background of the back cover to be just as important as the front cover imagery. What can you bring to the back cover background rather than just using a solid color? Maybe incorporate a frame around text, or potentially use imagery that wraps from the front cover around the back.
Self-publishing authors sell their books in multiple retail outlets, such Amazon.com and Ingram Spark. Covers need to be designed to sell in physical and online retail outlets, thus should be legible in color, black and white, and at thumbnail size.
If the quotation is from a review of the work, you should ideally obtain the review and cite the publication in which it appeared in your works cited list. But if you need to cite it from the book cover, your entry might read as follows:
For in-text citations, the information included inside your parentheses should match the first item in the full reference on your Works Cited page. For a book cover, this could be the last name of the designer, artist, or reviewer or a description of the element being quoted.
Ever wondered what makes a successful book cover? While authors and designers obviously want their covers to stand out on the shelves, there are many standard features that you'll find on pretty much any book cover.
Let's be honest; we all judge books by their covers, and for a good reason! The front cover should be designed to reflect its genre and hint at what it's actually about. It's the first thing a reader will see, making it your number one marketing tool.
The crucial elements of a front cover are the title and the author's name, but those alone would hardly jump out at you from the shelves. Cover art, color scheme, and typography are just a few other elements that will make your book stand out to potential readers.
Adding photos or illustrations to the cover of a book can help offer some insight into what the book is about and signal to a reader whether or not they'd like it. The designs for the two books below do a great job of communicating genre, tone, and content.
However, some covers are more abstract and give an idea of their concept, rather than plot or specific locations and characters. Reedsy designer George Stevens's cover for The Pain Habit takes author Drew Coverdale's metaphor of a 'journey to recovery' and represents it as a trail map up a mountain.
This design bridges the gap between literal and abstract cover art by depicting the book's characters and settings and the book's complex theme. The book deals with the vast inequalities and challenges facing immigrants escaping conflict in the Middle East. To offset the challenging subject matter, Knowles and Ali ensured that the cover remained accessible, rather than too abstract or metaphorical.
While you can just use stock images to create your cover, illustrations tailored to your book will convey your message much better and help it stand out more, especially if you're publishing as an ebook that could so easily be scrolled past.
Let's get all of the less glamorous practicalities out of the way first, starting with the ISBN. An ISBN is a unique, 13-digit code used to identify a book, usually found just above the barcode at the bottom of the back cover.
In a recent post, Nate Hoffelder shared four mistakes you might be making with your book covers. Because book covers are so important, I wanted to create a companion post on how to choose the right cover and give some recommendations.
Right. But if you want people to READ your words, you need to get them in the door. The book is the MAIN way to get them in the door. The blurb, cover, ads, and other things factor in, BUT the cover is the very first thing.
But the new versions are SO MUCH MORE SUITED TO THE GENRE AND EVEN THE NICHE OF ACADEMY BOOKS. They were still reasonable at like $150 for print and ebook. But so much more on target. They immediately picked up in sales.
Learn how to use sheet music, old maps, or paper bags to make a book cover that fits snugly on your book or textbook and protects it. Then find out the handy accessories, like pockets and name tags, you can add to personalize your book cover and give them extra utility. Finally, learn how to sew a simple fabric cover to protect your notebooks.
Typographers choose a professional font and manipulate it by making it thicker or thinner, spacing the letters closer together or farther apart, and even hand-tooling the individual letters to make your back cover copy look clean and professional.
By Its Cover traces the history of book cover design in America and explores how the purpose of the book cover, the process of creating it, and the end result have changed over the course of time. It features the work of Rockwell Kent, Paul Rand, Roy Kuhlman, and more.
Think of your front cover as the preview into your book. Just like a movie preview is there to help viewers decide if they want to shell out $20 to see a film, your front cover is what your reader is going to use to judge whether they want to invest their time and money into reading your story. This is your chance to hook them and get them intrigued enough to read your book.
Your imagery could encompass a number of things: you could use a photograph, an illustration, geometric shapes, or just an interesting play on color. Whatever imagery you decide to use, you should showcase it in a way that feels true to the spirit of your book. So, for example, if you wrote a memoir about your summer camping in Yosemite, you might have an image of a tent with Half Dome looming in the background.
The cover of the universally acclaimed Life of Pi by Yann Martel does an excellent job of framing the story and building an emotional connection to the protagonist, a young man trapped on a lifeboat with a ferocious tiger.
The cover of The Curious Incident Of The Dog In The Nighttime by Mark Haddon incorporates multiple elements of a well-designed cover. The designer alludes to the plot with the graphic of the dog and pitchfork and the whimsical font is a great representation of the child protagonist.
The cover design for Prep by Curtis Sittenfield follows all the rules for a great book cover design. The lavender, pink, and green color palette as well as the preppy belt graphic are the perfect match for the coming-of-age story about an elite boarding school. 2ff7e9595c
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